SWIFT
More Pages: SWIFT Page 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154

Buy one from zShops for: $19.97


Used price: $1.99
Collectible price: $8.00
Buy one from zShops for: $7.50

The History Book Of The Civil War

Used price: $0.84
Collectible price: $5.25

Latent neurosesAs with most collections of short stories, the quality is mixed: some are tightly plotted and well executed, other are somewhat inconsequential, and one ("The Watch") I found totally weird.
I thought thay the connecting theme of the stories was Swift's view of the imperfections of human nature and relationships - and provided people realise the truth as opposed to the images we delude ourselves with, the diffuculty of coming to terms with our failings. Swift takes what should be in conventional terms "comfortable" situations and scratches beneath the surface to explore inner feelings and tensions. Very introspective stuff.
...but he turns that trick with prideGraham Swift is something of a one-trick pony, actually, but the one trick he does he does exceptinoally well. This is less obvious when you're reading the man's wonderful novels-- Waterland, for instance, which someone will hopefully soon canonize as one of the classics of twentieth-century literature-- but when you get digging into a story collection, you realize that Swift, or a close family member, was in the throes of the nasty ending of a relationship while he was writing these stories. His main characters, at least those of an age to be so,
are almost alwast divorced men, and the tale of the leaving wife is either the main thread of the story or part of the circumstance leading up to the main part of the story. Swift just takes that tale and paints it with different hues.
Any fan of Mondrian or his brethren will hasten to comment here that different hues are usually enough to make the same thing interesting anew. Indeed, and such is the case with Swift's stories. Recognizing the similarity between the characters doesn't make them any less interesting, and it certainly doesn't lessen the top-notch quality of Swift's writing, which has
yet to flag in any book of his I've read even for an instant. The man is truly gifted.
It's likely the publication date will give some readers pause. Yes, it's a collection of short stories published during the nineteen eighties. And yes, that should set off justifiable alarm bells in the reader who's been turned off to eighties lit. But what characterizes the good eighties lit (Vanderhaeghe, Swift, McInerney on his good days) and separates it from the bad eighties lit (Ellis, McInerney on his bad days) is emotion. Rest assured that Swift has emotion in spades. While his stories cover much of the same territory as those of his contemporaries, Swift is not the detached observer who narrated most eighties fiction; he is down in the muck of emotion, and has no qualms about dragging the reader in with him.
Another excellent book from Graham Swift. ****
Thank you, Graham Swift!



